Tuesday, August 5, 2014

...from Jim Raup

THE 27TH OUT

“Baseball is a cruel game.”  I have heard that venerable adage my entire life as a baseball player, coach and fan. Usually the statement is spoken as a universal truth by a losing manager or coach or by a player who did not succeed when success mattered most.  I considered the phrase to be avoidance of acceptance of personal failure:  if baseball indeed is cruel, then the Game must have caused the bad result, not any personal failure by team or player.  For me, baseball was a simple game with no inherent cruelty:  get 27 outs and score more runs than the other team.  One of the defining moments of my baseball life caused me to reflect, however, on heart-breaking events inextricably interwoven with the 27th out and to wonder if there is truth to the adage that the Game itself is cruel.
On May 19, 1967, the University of Texas Longhorns and the University of Houston Cougars prepared to play the third and deciding game of the NCAA’s District Six playoff series.  To the winner would go a berth in the College World Series in Omaha.  The teams had met in the 1966 District Six playoff, and Texas advanced after a 2-1 series win. For Texas, trips to Omaha were commonplace, but Houston was a relative newcomer to NCAA playoff baseball and had been to the World Series only once previously.  To add to the significance of the day, this game would be the final Austin appearance for Bibb Falk, the legendary Longhorn coach who was retiring at the end of the 1967 season.
The 1967 Longhorns were not expected to be preparing for a playoff contest.  Picked to finish in the second division of the Southwest Conference, Falk told the media that he hoped for a .500 season.  Gary Moore, a pitcher/outfielder and the 1966 team’s MVP, had signed a professional contract with the Dodgers.  His defection left the pitching to Tommy Moore, a hard-throwing senior righthander from Austin, Gary Gressett, a soft-tossing senior lefty from Mississippi, and a whole bunch of nobodies.  I was one of the nobodies and was headed into my senior season in 1967.  Pitching was expected to be a serious problem for Texas.
My UT baseball career prior to my senior year can be described as bad luck and bad pitching.  I was a relief pitcher in the eyes of the coach, and to understand the role of a relief pitcher on the Longhorns in 1967, one must understand the rules governing SWC baseball at that time.  The small schools dominated the Southwest Conference because, simply put, they could outvote Texas and Texas A&M.  Consequently, the SWC did not allow fall baseball practice and strictly limited the number of games any team could play.  In 1967, for example, UT played 25 regular season games, and West Coast teams often played more than 50.  Because of the limited number of games, Coach Falk would use three pitchers predominantly—two starters and a reliever.  If the reliever failed in his first appearance, he went to the back of the line to wait his turn for another chance.  Often, that second chance never came.
In 1965, I did well in my first opportunity, and I became the first pitcher to be used out of the pen.  After getting a save against TCU, bad luck struck.  Coach Falk broke my jaw hitting grounders to our shortstop while I was pitching batting practice, and although I did not miss a day of practice with my teeth wired together, he did not put me in another game.  Bad pitching struck in 1966.  My first appearance was a disaster, and I went to the back of the line to become a “little-used righthander” for the rest of that season.  My first opportunity in 1967 was against Oklahoma with the bases loaded and no outs, and I struck out the side without allowing a run.  On the strength of that performance, I became the relief pitcher, and I pitched well enough during the season to maintain my position as the playoffs began.
Led by senior pitcher Tommy Moore, who finished at 9-0 and received All-SWC and third team All-America honors, the 1967 Longhorns surprised everyone by finishing the regular season with a 16-9 record and a SWC co-championship with TCU.  By virtue of its 2-1 season series win over TCU, UT advanced to the District Six playoff against Houston.  The Longhorns boasted the SWC batting champion, first baseman Bob Snoddy at .392, and the team hit 24 home runs, which was the second highest total in Longhorn history.  Gressett, the number two pitcher, had an unlucky 6-4 record, but his 1.53 ERA, lowest ever for a UT starting pitcher, provided effective support for Moore.  Four Texas players received All-SWC honors.  UH had a hard-hitting lineup with several players hitting near or over .300, led by junior left fielder Tom Paciorek. He was hitting well over .400, had a school record for home runs, and was first team All-America. Both teams featured two-sport stars, which was not unusual for the era. Texas third baseman Minton White also played basketball, and Houston outfielders Bo Burris and Paciorek and first baseman Ken Hebert were outstanding football players.
My season, like the player, was pretty good but not great.  I threw a sinking fastball, which Coach Falk liked, and I also had a good curve, an ok slider, an effective changeup and outstanding control.  Going into the Houston playoff series, I had pitched the third highest number of innings on the staff.  UT baseball had not yet discovered the concept of “closer,” and Coach Falk brought me into games to protect a lead and into games in which we were behind.  I had pitched as few as ⅓ inning and as many as 4⅔ innings in our games.  I had given up about a hit per inning, but I had walked only one during the regular season.  I was happy and satisfied with my role.  I was the relief pitcher for the SWC champs, and I knew I would pitch in important games.  I could neither ask for nor hope for more.
Texas and Houston had split the first two games of the playoff series.  The Cougars routed Texas ace Tommy Moore in the opening game in Houston; Moore faced nine batters in the first inning, retiring only two, and gave up five earned runs before being removed.  The Longhorns fought back to tie the score at 5-5 to take Moore off the hook for his first loss, but UH quickly regained the lead on a home run by Paciorek.  Houston pulled away to record an 11-8 victory.  I pitched four innings in the middle of the game but did not distinguish myself.  I issued my second and third walks of the season and, incredibly to me, I walked in a run.  I gave up three runs, two of which were earned, but was the only Texas pitcher to retire Paciorek…on a towering fly ball that our center fielder caught with his back to the fence.
Two days later, the teams played in Austin.  Coach Falk again started Tommy Moore, as everyone thought he would, and with a second chance, Moore pitched a complete game and shut down the Cougars on eight hits.  The Longhorns won 5-1 to even the series, and immediately the media questioned Falk on his choice of a starting pitcher for the third game to be played the next day in Austin.  “Moore’s it until further notice,” Falk said, but in speculating which pitcher Coach Falk would select for the deciding game, the Austin newspaper mentioned virtually every pitcher on the UT staff except me.  Gressett, the logical choice, had left his last start early with what he described as a sore shoulder.  I was neither surprised nor offended by not being mentioned.  Coach Falk viewed me as a three inning pitcher, and I agreed with the sportswriter’s omission of Raup as a possible starter.  I joked at the time that even if I were the only pitcher at the park, Coach Falk would start someone else.
With this background, UT and UH prepared to decide which team would be the District Six representative at the College World Series.  During batting practice, I was engaged in my usual pre-game activity of mindless chatter and shagging balls hit to the outfield when I saw Coach Falk walking toward the group of players I was in. He came directly to me and handed me a new baseball, which is the universal symbol to designate the starting pitcher.  Coach Falk walked away without saying anything, and I was struck deaf and dumb by the realization that I was going to be the starting pitcher in the most important game of our season and of my life. 
I immediately thought of my Dad, who was traveling to Port Arthur to attend to his ailing father and who would not see me pitch.  There were no cell phones in those primitive days, of course, and I could not even tell him my exciting news.  My on-again, off-again girlfriend was mad at me, as she often was, and was not coming to the game.  Of those persons closest to me, only my mother and my brother would be present to witness whatever thrills or disappointment resulted from Falk’s unexpected decision.  Throughout his storied career, Bibb Falk had defied the odds successfully with his unconventional decisions, but none was more surprising than his choice of me as the pitcher to start this game.  I retired to the locker room to compose myself for the biggest game of my life.
I have never been more nervous than I was warming up in the bullpen prior to the game.  Nervousness sapped my energy and made me feel weak and as though I could not get the ball to the catcher.  Warming up was always like this for me, but once I got to the mound and into the game, the nervousness disappeared immediately.  Coach Falk came into the bullpen and stood by the catcher to watch me throw.  I finished my warmup routine and started toward the dugout to get ready for the game to start.  Coach Falk approached me, and I expected a “go get ‘em” or some similar words of encouragement.  I should have known better.  What he said was “Go as hard as you can for as long as you can, and don’t embarrass anybody out there.”  Then the game started, and I was on the mound.
The tricks the mind plays are funny.  As readers who stay with this piece will see, I can remember clearly almost every pitch in the 9th inning, but I remember very few details about the rest of the game.  The Austin newspaper called my game “one of the most magnificent pitching performances in recent years by a Longhorn,” but I do not remember the game that way.  I remember that I was not nervous and did not think of the importance of the game once I began to pitch.  I remember that I was just pitching and getting them out.  I remember that I used all my pitches, as a starter does, rather than throwing sinker after sinker as I did as a reliever.  I remember that I had uncanny control of all my pitches and that I believed I could throw the ball through the eye of a needle.  I remember a four pitch walk to a weak hitter that I could not fathom and an umpire’s bad call at first base that robbed us of a double play after the walk.  I remember that we scored three runs early and should have scored six or seven.  I remember that I was in total control of the game and that my dominance seemed like the most normal thing in the world.
Then came the top of the 9th inning.  The Longhorns were ahead 3-0, and over the first eight innings, I had given up two hits, walked two and struck out four.  No UH baserunner had advanced past first base, and I had faced only 28 batters.  As I began my warmup pitches, the announcer reminded the overflow crowd that Bibb Falk was coaching his final game in Austin, and the announcement was the first I had thought about his retirement.  None of us on the UT team believed this would be his last game, and we were in the College World Series as soon as I got three more outs.  I was not tired, and I knew I would get those three outs as easily as I had gotten the first 24.  When I finished my warmup pitches, I was relaxed and merely pitching a baseball game as I had been doing since I was nine years old.
Ken Hebert, the Cougars’ first baseman, tried to bunt his way on, but I threw him out for the 25th out.  George Cantu, the third baseman, popped up to our shortstop, and I had 26 outs.  Tom Paciorek, the hitting terror of the series, would make the 27th out that would send us to Omaha.  He had come into the game with seven hits in nine at bats, but he was 0-3 as he stepped in.
I can see the 9th inning pitches as though I have them on video in my mind.  Paciorek was taking a strike, and I threw a fastball right down the middle for strike one.  Down in the count 0-1, he lifted a high, lazy foul fly down the right field line.  Our right fielder, George Nauert, was a catcher but played the outfield because of his hitting.  Coach Falk did not use defensive replacements, and Nauert could not get to the foul fly from his alignment in right centerfield.  Paciorek’s would-be third out fell harmlessly to the grass, but the count was 0-2, and I had him.
My next pitch was a slider that was maybe an inch or two outside.  The plate umpire was John Mazur, a local postman who had called balls and strikes for my games since Little League. When he called the pitch a ball, I thought “Mr. Mazur, after all these years, you owed me that pitch.”  The count on Paciorek moved to 1-2, and I still had him. Our catcher called for a changeup, and I made a mistake in my approach to the pitch.  I loved his pitch selection because I had fooled Paciorek badly with a changeup during an earlier at bat, but when I accepted the sign, I thought “Just don’t bounce it.”  Of course, with that negative thought, I bounced it at his feet.  Paciorek was fooled and out on his front foot, but the pitch was too bad to swing at.  The count was 2-2.
James Scheschuk, our catcher and my senior classmate, called for an up and in fastball, and I put the pitch exactly where he called for it.  The pitch jammed Paciorek severely, and he fisted a slow roller down the third baseline that I could not field.  Our third baseman, Minton White, was an outfielder playing third base to get his potent bat into the lineup, and he was playing very deep behind the bag.  His all-out charge to make the play was too late, and Paciorek beat the throw for an infield hit.
At the moment the umpire signaled Paciorek safe at first, I remember an immediate but brief feeling of fatigue.  Perhaps the spell had been broken, but the 27th out was still there to get in the person of Bo Burris, the Cougars’ lefthanded hitting right fielder.  After a swinging strike, Burris lined a single to left field moving Paciorek to second base.  Ronnie Baker, the second baseman, moved into the batters’ box.  Baker, a righthanded hitter, wasted no time. My first pitch was a slider headed for the outside part of the plate, and he leaned over the plate and hooked a low liner down the left field line.  Paciorek and Burris scored easily, and as I returned to the mound with a one run lead to protect, Baker was on second, and Falk was on his way to me.
My first thought was “No!  You cannot take me out of this game now!”  He could and he did, although for a brief moment I thought I had talked him into allowing me one more hitter.  I received a standing ovation as I left, but that was no consolation for me at all.  Moore and Gressett both were warmed up and ready, but Coach Falk inexplicably allowed the pitching coach to send in for the save a reserve third baseman who had a great arm but who had pitched only 8⅓ innings all season.  On a 3-2 pitch, the reliever walked the Cougars’ shortstop, Art Toombs, who was hitting under .200, and again on a 3-2 pitch, gave up a two-run triple to the next hitter.  Gressett came in to retire the side with one pitch, but I had a no decision, and we were down 4-3 with only three outs to go.  The Longhorns rallied valiantly in the bottom of the 9th, but our 27th out was the tying run thrown out at home plate to end simultaneously the game, our season and Bibb Falk’s coaching career.
Unlike the smack-talking and disrespect that today’s athletes direct toward opponents, the 1967 Longhorns and Cougars met in the center of the field to congratulate, commiserate and wish each other well.  Several of their players were gracious to me in victory; Paciorek put his arm around me and told me that he was happy to win but sorry to have ruined the great game I pitched.  I appreciated their sportsmanship, but our loss crushed me.  The game was my last as it was Coach Falk’s last.  I grew up in Austin dreaming of playing some sport for the Longhorns, but now with the opportunity to put my team into the College World Series, I failed to get the 27th out with but a single strike to go.  I had only thrown three pitches following Paciorek’s infield hit, and now my time as a Longhorn pitcher was over.  The suddenness and finality were shocking.
The teams parted and went on to their respective destinies.  UH lost badly in the first game of the double elimination College World Series, but as they did on May 19, the Cougars fought their way back in the tournament before losing to Arizona State in the championship game.  UT’s baseball season ended that day, and I and the other seniors graduated and began our futures.  My future was high school coaching initially and then law, and I have been reasonably successful in both careers.  Tom Paciorek, my chief protagonist, had an 18-year career in major league baseball as a player and then 19 more seasons as a broadcaster.  No doubt we both are satisfied with our lives after our brief encounters with one another, but I wonder if he ever thinks about the deciding game in 1967.  I certainly do.
With the perspective of forty years that included many years in coaching, I realize that Coach Falk made the correct decision to take me out.  He never expected me to be in the game in the ninth inning, and Houston had just gotten three consecutive hits to narrow our lead to 3-2.  There are many “what ifs” to ponder without that decision being one of them, however.  I could have and should have had Paciorek out three times in his final at bat.  What if the umpire had given the hometown pitcher the benefit of an extremely close pitch on 0-2?  What if Coach Falk had made a defensive substitution in right field to start the ninth inning?  What if I had not had the negative approach and had not bounced that changeup?  What if our third baseman had been playing behind the bag but not with his heels on the outfield grass?  What if after Paciorek’s hit, I had reverted to my customary role of reliever and had thrown nothing but sinkers?
The biggest “what if” of all is what if Coach Falk had used one of our top two pitchers to get the 27th out instead of an infielder who had a great arm but who rarely pitched?  I never will understand why a Hall of Fame coach who had 477 career victories, 20 SWC championships and two national championships would allow a pitching coach to make the most important pitching change of the season.  Coach Falk did, though, and he later provided the 1967 Longhorn team its epitaph with his final comment to the media as UT’s coach:  “Some days you try things and they work; other days you try and they don’t work.”  He never spoke to me about this game, either in the locker room after the game or in the many times I talked with him before he died, so I will never know what he was thinking that day as he walked to the mound to get me.
So, readers who are still here, is baseball a cruel game when a team is so near victory in a crucial game but cannot get the 27th out?  After much serious reflection, I do not think that it is.  Certainly what happened to the Longhorns and to me in the UH game was cruel, but what happened to Tom Paciorek and to the Houston Cougars was wonderful.  Our opponents refused to give up and forced us to record all 27 outs to beat them.  When we threatened to steal their victory with our rally in the bottom of the 9th, they got the 27th out.  I was the one who could not get that 27th out, not some malevolent Game that cruelly denied me a victorious finish.  I failed when success mattered most, and accountability for that failure must be with me, not attributed to some inanimate Game.  If one’s best is not good enough, congratulate the winners and move on; do not wax philosophical about a cruel Game.
With the perspective of years and experience, I think I gained much from the UH game that initially brought me intense pain.  I learned that sometimes a player can be at his absolute best, but his best still is not enough to overcome the opponent.  I learned to respect opponents who fight their hardest to avoid defeat, no matter what the final outcome may be.  I learned that no one is entitled to victory or to success, no matter how much he may want to win or how hard he may try to succeed.  I learned that losing is every bit as much a part of the Game as is winning and that the final outcome does not diminish the accomplishments of those who competed.
Most important, I learned and believe earnestly that there is no disgrace or dishonor in failure if one has tried his hardest to succeed.  Disgrace is giving less than one’s best effort or allowing failure to kill one’s will to compete.  True success lies not only in victory but also in picking oneself up after a gut-wrenching loss and in striving to be better the next time.  If sports fans could understand how difficult victory is to attain and how much competition requires of players’ bodies and minds, appreciating a team and its players for the quality of the competition will be more rewarding than focusing on final scores. Perhaps then despicable epithets like “choke” to describe a losing effort never will be uttered.
No, baseball is not a cruel game, despite the occasional elusiveness of the 27th out.  On the contrary, the Game allows both teams an equal opportunity to win and requires the winner to get all of the 27 outs.  The Game rewards those who do more when victory or defeat hangs in the balance, and the Game penalizes those who fall short in those situations.  Whether one succeeds or fails when all can be won or lost is the essence of competition.  The Game benignly provides a stage to determine a contest’s outcome, but the Game does not guarantee any player success or compel his failure. 

We lost on that fateful May day in 1967, but the Game was not to blame.  Today I recall those events with twinges of regret and disappointment but with great pride in my performance.  I failed to get the 27th out, but that day I was the best I ever was.  On May 19, 1967, the stakes were high, and the competition was magnificent.  The Game promises no more, and I was fortunate to have been a part of that competition.

Thursday, June 12, 2014

HARPER…CHICKENMAN!!!

Cash for cluckers’ paintings
may rock art world
BY HARPER SCOTT CLARK
TELEGRAM STAFF WRITER
SALADO — Bucka-bucka-buckabuck-
brrrAWWK!

The clucker cotillion begins its
mornings at Lonnie Edwards’ art studio on
the banks of Salado Creek with a hen, four
chicks and a rooster dancing in circles on
the surface of a newly stretched canvas.
Edwards, 72, drizzles acrylic paint on the
canvases in rhythmic waves, streaks and
splotches similar to a Jackson Pollock
work. Then the birds strut their stuff.

First they leave the impressions of their
claws and footprints in the pigment.
Hopping around they transfer all the colors
of the rainbow into the pristine white areas
of the canvas as they cluck and cackle their
way to neo-impressionist fame.

Edwards appears to be in
perfect simpatico with his colleagues.
They are, he said, expressing their feelings.

Edwards, an artisan who has
spent much of his lifetime
fashioning objects in metal,
recently took a departure from
hammering iron and bronze on
an anvil to painting, using his
chickens as his paintbrushes.

The dots, blips and slash
marks the birds leave are a
type of pointillism, Edwards
said. The finished canvas is a
hybrid. Edwards’s part of the
composition is abstract expressionism
— also called action
painting — and the birds’
efforts come under the neoimpressionist
school.

The cacklers have adopted
certain airs since donning
berets and embarking on artful
careers. Plain farmyard names
like Henny Penny and Rennie
Rooster have been dropped for
monikers with more panache.
Some include Spanish names
to reflect the flair of their
Southwest environment.
Pollo Picasso, Gallina
O’Keefe, J. Gallo Pollock and
Fowl Monet make up the
Salado Creek palette society.

How did Edwards get the
idea to employ cacklers as
paintbrushes?

During an interview in June
about his work in metal,
Edwards was asked about the
colorful hens that ran into his
open-air studio from outdoors.
They appeared to watch
intently as he worked at his
anvil.

“I said then that I bred them
for their vibrant multi-hued
patterns because I wanted to
paint them one day. But it
wouldn’t be paintings of the
chickens. It would be paintings
by the chickens.”

Edwards’ comment ended up
in the Temple Daily Telegram.
Dallas restaurant magnate
Gene Street heard about
Edwards’ project from family
members in Salado and
checked the story out online.

Before retiring, Street owned
a major interest in more than
250 restaurants worldwide that
included El Chico Restaurants,
The Spaghetti Warehouse,
Good Eats Cafe and the Black
Eyed Pea, and today is a partner
in a cable television show
called Cheaters — a late night
show that tracks down unfaithful
spouses and life partners
with a private detective.

“Lonnie is a pretty creative
guy,” Street said. “He’s done
some things for me in the
past.”

He called Edwards and gave
him seven canvas sizes.
“I said, ‘Lonnie, I want
seven white backgrounds with
colorful chicken feet and I
don’t want to talk to you anymore
about it. Just call back
and tell me what the price will
be. When you are finished I
will come get them.’”

Street said they agreed on a
price in the thousands
although the exact amount is a
confidence.

“I’ll put Lonnie’s finished
works in a bedroom in my
house that has no art,” Street
said. “It’s all white so I need
some color in it. I’ll call it my
chicken room.”

Edwards said he had to come
to terms quickly with how to
get chickens to do their part. It
could be worse than herding
cats, he said.
He built a portable chicken
coop 3 feet wide, 6 feet long
and 18 inches high. It had no
bottom and could be placed on
a table over two newly
stretched canvases. All he had
to do was open a door and pop
Pollo Picasso inside.

A second table was fashioned
with a glass top. This
allowed the photographer to
get a bird’s eye view from
below of the painting process.
But it had a second purpose.
When the chickens had completed
their work, Edwards
would place a fresh, white
canvas face down on the wet
paint design. He would press
firmly and pull an impression.

“It’s basic lithography,”
Edwards said.

Edwards is a stickler for
treating his colleagues with
respect. When chickens were
brought out of the cage, he
washed off their feet in tepid
tap water before putting them
on the ground.

In the beginning he feared
his associates might leave their
own editorial comments in the
design. So he fashioned diapers
from plastic bags. As it
turned out, he didn’t need
them. A trial run indicated the
birds were too engrossed in
dabbling in their art to think
about leaving anything extra
on the canvas.

Street said years ago he started
collecting Andy Warhol
paintings. He also has original
photos of Elvis Presley and
many of the old rockers.

“I might do a one-man show
at one of the Dallas galleries
with Lonnie’s pieces so that
our Salado boys are a little
more well-known in the circle,”
Street said.

Tyler Fletcher, an art aficionado
who is also a rare
book and antique dealer in
Salado, said the concept has a
bohemian quality.

“I believe this will resonate
in the demimonde of the art
world,” Fletcher said.
Is Edwards the first to create
chicken art?

“I don’t know that to be a
fact,” he said. “You always
find out later that somebody
else came up with your unique
idea before you,” he said.
“Great ideas often mix on the
same palette.”

WHICH CAME FIRST?
FIRST CAME MAN 
Lonnie Edwards
prepares a canvas for his
chickens to walk over
using a technique first pioneered
by Jackson Pollock
in the 1950s. Abstract
expressionism became
known as “action painting”
because interaction
between the artist and the
medium created the feel of
movement.

THEN THE CHICKEN
Pollo Picasso, Gallina
O’Keefe, J. Gallo
Pollock, and Fowl
Monet make up the Salado
Creek palette society. 

The four pullets complete the
painting process by standing
over a Lonnie Edwards
masterpiece and placing
their pointillist work on a
canvas prepared by
Edwards in classic abstract
expressionist style. The
hybrid style creates a medley
of colors jetting around
the canvas.

Saturday, June 7, 2014

A look at practical cats: Shop cat tradition still has lives left in Central Texas

A look at practical cats: Shop cat tradition still has lives left in Central Texas


by Harper Scott Clark - Telegram Staff Writer

Published April 16, 2008

Some may think keeping a cat at a business is a quaint notion from the past. The custom goes back centuries in England and spread to America in Colonial days.

But in Central Texas the concept is alive and well.

Eddy-Puss, or Eddy for short, holds court at Fletcher’s Books and Antiques in Salado. Owner Tyler Fletcher said Eddy, 16, is a greeter for customers and also patrols St. Joseph’s Episcopal Church next door.

Eddy came to him by way of the British attachĂ© at Fort Sill, Col. John Harrington.   
 
Eddy-Puss
“Harrington and his wife were returning from a New Year’s Eve party when they spotted a bloody little ball of fur by the curb,” Fletcher said of the young cat who had been hit by a car, breaking its back legs and severing its tail. 

They took him to a veterinarian and he healed quickly. But the Harringtons couldn’t take the cat with them to England.

“Lt. Gen. Colby Broadwater at Fort Sill was an old friend and former customer at the shop,” Fletcher said of the retired officer. “He called and asked me if I wanted a cat. I said no.”

A few weeks later Harrington showed up at the bookstore with the cat and some carpentry tools.

“I kept telling him ‘I don’t want a cat,’” said Fletcher. “Instead he began cutting a cat door in an antique door to my shop.” When Fletcher complained about his carving into a valuable old door, Harrington just harrumphed.

“Oh, you will be fine,” Harrington replied. “You Yanks don’t know what old is.”

After Harrington left the cat immediately jumped into Fletcher’s lap and claimed him as his own. “He’s very sociable,” said Fletcher. “He greets customers. And in the last two years he has killed about 200 mice.”

Eddy is also a regular visitor at the church next door where he comes uninvited during services and sits in the pews next to the worshipers “If he gets bored, he turns and leaves.”
Fletcher said Eddy likes to sit in the bishop’s chair - a seat reserved for retired Bishop Claude Payne of Salado.

“He attended a wedding once,” Fletcher said. “At the crucial moment he walked down the aisle and stood between the bride and groom. He looked first at the bride, then at the groom. Then he left.”

The Rev. Tom Wallace, who leads services at St. Joseph’s, said that from time-to-time Eddy comes to sit in the front pew or stand at the foot of the altar while he’s performing the communion.

“There’s a chair I sit in at the front and Eddy wants to sit there,” Wallace said. “We have had confrontations over these things but often he wins.” Wallace said the traditional symbol of the Holy Spirit is the dove. “But we’ve decided that Eddy instills the embodiment of the Holy Spirit around here and in the chapel. He comes and goes at the proper times and seems to keep things in good order. So we may have a new symbol for the Holy Spirit – a black and white tuxedo cat.”

Yamaha, in his natural habitat.
At Marine Outlet in Temple, Yamaha and Marina hang out, said Linda Smith. Smith said Yamaha, an orange male, came to live at the shop three years ago – a gift from a friend. “Everyone loved him so much he’s still here,” she said.
  
That Memorial Day he went missing, she said. Five days later they found him behind an air-conditioning unit mewing weakly. Ms. Smith said a predator had attacked him and a back leg was mangled and broken. "We took him to the vet and had a pin put in the bone, ” she said. “The clinic drew cat paws on his little cast.”

Yamaha’s main job today is to lounge on merchandise and give the store local color.

Marina lounges around Marine Outlet in Temple.

Marina has been at the store 10 years, she said. She once got into a fishing boat a customer had parked in the drive. When he drove off, away went Marina looking terrified.
They reached the customer at home, who said he had made only one stop at a bank in downtown Temple. Linda and her husband, Rick, spent five days combing the streets for her.

“I didn’t know there were so many gray cats in downtown Temple,” she said. Two weeks later Marina showed up at the store. She had crossed the Santa Fe railroad tracks and six lanes of Interstate 35 to make her way home to the shop.

“She had lost weight and was very vocal,” said Ms. Smith. “She got up on the fish tank and drank a lot of water. Then she ate a bunch and went to sleep for three days. She doesn’t go out anymore.”

Lucky peers at traffic on Third Street from his perch 
at Aunt Minnie’s Antiques in Temple
Sharon Robbins said her mother, Vernell Rayzor, found Lucky, outside their business – Aunt Minnie’s Antiques on Third Street in downtown Temple – five years ago.

“He was only 5 weeks old – just a handful – and hollering,” said Ms. Robbins.
She told the solid black kitten he was “lucky” not to have been run over by a car. The name stuck.

Lucky is a natural customer greeter and gives tours of the shop, she said. A lot of times customers will pick him up and carry him around. “We do have customers who come here just to see him, not to shop,” she said, explaining that he recognizes certain customers when their cars drive up and he greets them at the door highly excited. “There are other people who tell us they come by at night to play with him through the window.

Lluigi makes a desk his spot at Dodge Country Chrysler Jeep in Killeen
Bill Sellers manages the body shop for Dodge Country Chrysler Jeep in Killeen. His shop foreman is Lluigi, a large, gray neutered male.

Sellers said Lluigi was a feral kitten that knocked on the shop’s door one night asking to come in to be the resident mouse catcher. “You couldn’t run him off now,” said Sellers. “He has his own door and lots of food and doesn’t need more than that. He lives the good life he deserves.”
Sellers said Lluigi is in charge of the whole place.

“He never takes off sick,” Sellers said. “He’s never asked for a raise. And he’s very loyal. You couldn’t ask for a better employee. And there are no mice around here.

Tuli guards the file cabinets at Cole’s Appraisal Services in Killeen
Cole’s Appraisal Services in downtown Killeen has had Tuli, a brindle-marked female, for 11 years. Nelwyn Cole said she showed up in her backyard at home as a tiny kitten.

“I heard our dogs barking at her and went out to find her screaming bloody murder,” said Mrs. Cole, laughing.

She and her husband, Larry, decided Tuli would be a shop cat. Tuli has a cat jungle gym with a perch on top in a bay window that looks out on the city street. That’s where she spends her time.

“That’s her throne,” said Mrs. Cole. “No one bothers her there. She watches people and traffic and when birds are out there she makes that sound in her throat.”

Tuli is not a greeter, but is a very private soul, which is OK, said the Coles. It’s not a walk-in business. “I play with her when I get to work in the morning and that takes care of her for the day.”
Rock curls up on a rug at Harris Law Firm in Killeen
Bill Harris at the Harris Law Firm in downtown Killeen has had Rock, a mottled-coated neutered male, for 18 years.

Harris said Rock as a kitten somehow got up into the ceiling of his office and then fell down inside the wall.

“I heard him hollering and took the wall apart to get him out,” Harris said.

Harris said he has no particular job duties. “The best thing he does is hold down the carpet,” he said with a chuckle. “He used to be a greeter for clients, but he’s semi-retired now. But he greets us every morning.”

hclark@temple-telegram.com